The Identical: Elvis Impersonator Showcases His Talent in Faith-Based Musical
What if Elvis Presley’s stillborn twin had survived his mother’s pregnancy instead of dying during the twins birth in January, 1935? That is the alternate reality presented in The Identical, a musical that is the directorial debut of Dustin Marcellino.
Unfortunately, Dustin chose an Elvis impersonator to star in his revisionist version of events, a dubious decision that becomes obvious when Blake Rayne isn’t singing and shaking his hips on-stage. The first-time actor plays both Ryan Hemsley and his identical sibling, Drexel (Elvis), in this fictionalized account of the life of the King of Rock and Roll.
The movie’s point of departure is in Decatur, Georgia during the Depression, which is where we find poverty stricken sharecroppers Helen (Amanda Crew) and William Hemsley (Brian Geraghty) trying to figure out how they’re going to provide for their newborn twins. The answer arrives at a revival meeting that is being held under a big tent by Reverend Reece Wade (Ray Liotta), who is a Pentecostal preacher with a soul full of hope and a barren wife (Ashley Judd).
The Wades desire to start a family dovetails with the Hemsleys having one more baby than they can afford. So, with God as their witness, Reece and Louise secretly agree to adopt Ryan before going back to Tennessee. Meanwhile, Helen and William announce the missing boy’s death to friends and relatives, and stage a faux funeral, complete with an empty casket.
Reece proceeds to raise Ryan in the church with a career in the ministry in mind although, because of his singing talent, he is more comfortable in the choir than the pulpit. He finally rebels in his teens and enlists in the military, leaving his domineering father and a sweetheart (Erin Cottrell) behind. By contrast, Drexel, who was also blessed with a great voice, is allowed by the Hemsleys to pursue his passion, and blossoms into a singing sensation.
Will the twins ever learn of each other’s existence? If so, will they be able to forgive their parents for separating them at birth? And will Ryan ever get his own shot at fame and fortune?
These questions are posed by a production so flawed in terms of plot, dialogue, and acting that it is unintentionally funny. Regrettably, The Identical lacks plausibility, such as its farcical reimagining of race relations in the Jim Crow South and its silly staging of car chases that are straight out of The Dukes of Hazzard.
Fair (*). Rated PG for smoking and mature themes. Running time: 107 minutes. Distributor: Freestyle Releasing.