Black or White: Grandparents Fight Over Biracial Child in Courtroom Drama
When Elliot Anderson’s (Kevin Costner) wife Carol (Jennifer Ehle) perishes in a tragic car accident, he is left with the task of raising his 7-year-old granddaughter Eloise (Jillian Estell) alone. The couple had originally assumed custody for her when their daughter had died giving birth to the little girl, since the baby’s drug addicted father Reggie (Andre Holland) was behind bars and totally unfit to be a parent.
Today, however, Elliot has a drinking problem which escalates out of control in the wake of his spouse’s untimely death. His situation comes to the attention of Eloise’s fraternal grandmother, Rowena “Wee-Wee” Davis (Octavia Spencer).
She approaches Elliot about setting up visitation rights, in spite of her son’s substance abuse problems, since Eloise has a lot of other relatives on her father’s side of the family who are eager to see her. However, Elliot, a white wealthy lawyer, balks at the request, presumably because they’re black and from the ‘hood, and Elliot wants to shield his granddaughter from the ghetto and its host of woes.
Wee-Wee asks her attorney brother, Jeremiah (Anthony Mackie), to file suit. The parties end up slinging mud at one another in an ugly custody battle where Reggie is accused of being a crack head with a criminal record and Elliot is labeled a racist and an alcoholic. Additionally, the Judge Margaret Cummings (Paula Newsome), who is an African American female, might be biased in favor of the plaintiff Rowena.
All this leads to a courtroom showdown in Black or White, a cross-cultural melodrama written and directed by Mike Binder (Reign over Me). Inspired by true events, the picture pits Elliot and Wee-Wee against each other and are capably played by Oscar winners Kevin Costner (Dances With Wolves) and Octavia Spencer (The Help).
Thanks to the media, everyone knows that a lawyer never asks a question on cross-examination that he or she doesn’t already know the answer to. Nonetheless, Jeremiah violates that cardinal rule by asking Elliot, “Do you dislike all black people?” This affords the grandfather an opportunity to rehabilitate his tarnished image in a scintillating soliloquy reminiscent of Jack Nicholson’s “You can’t handle the truth!” monologue in the movie A Few Good Men.
Unfortunately, the rest of this drama doesn’t match the intensity of that climactic moment. Nonetheless, the film is worth seeing because of Costner’s performance and for the way in which the script dares to tackle some tough social questions in a realistic, if perhaps politically incorrect, fashion.
Very Good (***). Rated PG-13 for profanity, fighting, ethnic slurs, and mature themes involving drugs and alcohol. Running time: 121 minutes. Distributor: Relativity Media.