By Nancy Plum

Bobby McFerrin is a vocal visionary, stretching the capabilities of the human voice to new heights and palettes of sound. Through his recordings, live improvisational concerts, conducting engagements, and his innovative professional ensemble Voicestra, McFerrin has shown that he is so much more than his signature musical command “Don’t Worry, Be Happy.” As part of Princeton University Concerts’ 2018-19 season, McFerrin brought his unique brand of musical performance to Richardson Auditorium last Friday night in a joint concert with the Princeton University Glee Cub and the vocal ensemble Gimme5. The informality of the evening was set when the members of the Glee Club took the stage dressed in everyday collegiate attire, however the quality of this concert was anything but casual.

The musicians performed less than 10 musical selections within the 90-minute concert, but each was a creative unfolding of sound and vocal color, undulating in dynamics and timbre as singers were added and subtracted from the musical palette. Princeton University Concerts wisely chose to begin its 125^th anniversary season with singing, as more people participate in singing than any other performance medium, and the crowd-unifying elements of Bobby McFerrin will no doubt pique the interest of new attendees for later events. more

By Nancy Plum

Princeton University Summer Chamber Concerts has celebrated its 51st season with innovative programming this year.  The series closed its 2018 season last week by reverting to its classical roots with a return visit from the Daedalus Quartet, an ensemble with a strong performance and recording history of both 19th century and contemporary music. Violinists Min-Young Kim and Matilda Kaul, violist Jessica Thompson, and cellist Thomas Kraines presented a very recent American piece sandwiched between two pillars of the Classical period in Richardson Auditorium last Wednesday night, mesmerizing a sold-out house with sophisticated and refined playing.  more

By Nancy Plum

No matter how much doubt is shed on the future of orchestral music, it is clear that there will always be composers looking for opportunities to present newly-created musical works. In Princeton, thanks to a collaboration among the Edward T. Cone Foundation, Princeton University, and the New Jersey Symphony Orchestra, four emerging composers have had the chance to explore in depth symphonic composition as part of the Fifth Annual NJSO Edward T. Cone Composition Institute. Conductor David Robertson, Institute director and composer Steven Mackey and members of the New Jersey Symphony mentored four composers in creating significant musical pieces, as well as learning the business aspects of the field. This year’s Institute culminated last Saturday night in a public performance of four new one-movement works at Richardson Auditorium to an audience which has continued to grow over the five years of the Institute. Composers Jonathan Cziner, Brian Shank, Aaron Hendrix, and Natalie Dietterich spent last week in Princeton receiving an invaluable experience and education as a huge stepping stone in already successful careers. more

By Nancy Plum

’Tis the week for 18th-century music in the Princeton area. Princeton Festival has been showcasing its Baroque Festival Orchestra and Chamber Ensemble, and for the first time in its 51-year history, Princeton University Summer Chamber Concerts has presented a Baroque instrumental ensemble. Last Tuesday night’s concert at Richardson Auditorium featured the chamber ensemble REBEL, named after the early French composer Jean-Féry Rebel. REBEL has been performing worldwide for more than 25 years, winning numerous awards while compiling an impressive roster of instrumentalists. Tuesday night’s concert brought two violinists, one violoncello, and a harpsichord to Princeton, performing a potpourri of 17th and 18th-century pieces. It was a unique program of music for three strings, but no viola, and the collection of multi-movement works presented on period instruments showed solid partnership among violinists Jôrg-Michael Schwarz and Karen Marie Marmer, cellist John Moran, and harpsichordist Dongsok Shin. more

By Nancy Plum

Princeton Festival is spending the fourth week of this year’s season focusing on the Baroque era of music history, beginning with a chamber orchestra concert last Saturday afternoon. Comprised of six members of The Princeton Festival Baroque Orchestra, the Festival Baroque Chamber Ensemble presented an hour-long performance at Princeton Abbey which felt like a refreshing cool drink on a summer afternoon. The five works performed were, as advertised, “rare gems of the Baroque chamber repertoire,” as four string players, a theorbo, and harpsichord showed that the Festival’s foray into 17th- and 18th-century music was a worthy artistic decision. Princeton Abbey is an unusual liturgical space in that the members of the congregation face one another, rather than the chancel, but perhaps thanks to the recent residency at the Abbey by the American Boychoir, the acoustics were perfect for chamber music. more

By Nancy Plum

Princeton Festival opened its mainstage opera production this past weekend with an audience favorite in Giacomo Puccini’s Madama Butterfly. Now one of the most popular Italian operas in the repertory, Puccini’s 1904 Butterfly was an unexpected disaster on its premiere night in Milan, leading the composer to revise the opera into the blockbuster it is today. Princeton Festival’s presentation Saturday night at McCarter Theatre Center’s Matthews Theatre was every bit the crowd-pleaser it should be, showcasing several stand-out singers in the process. Some operas lend themselves to restaging in other time periods, but Madama Butterfly is best left in its original timeframe of late 19th-early 20th-century Japan. Set in the harbor town of Nagasaki, Butterfly combined Puccini’s lush orchestrations and melodies with an exotic seaside locale to tug at audience heartstrings. Princeton Festival’s production, sung in Italian with English supertitles, took every advantage of Puccini’s rich melodic writing to convey a poignant storyline.  more

By Nancy Plum

Summer brings many traditions to the Princeton area: the P-rade, fireworks on Reunions weekend, and other signs that three months of summer days stretch out ahead. One musical tradition which has become a staple of audience calendars is the Concordia Chamber Players concert which opens the Princeton Festival each year. Concordia Artistic Director Michelle Djokic annually brings an ensemble of refined chamber music players to Miller Chapel, and this year in particular set the tone for the festival with a performance of dramatic late 19th and early 20th-century music. more

By Nancy Plum

Like a successful garden, it takes a long time to develop and nourish a performing ensemble. Princeton Singers began 35 years ago as a volunteer chorus singing English cathedral music, madrigals, and folksongs, and has grown like a weed under the direction of only two conductors: Founding Director John Bertalot and current Artistic Director Steven Sametz. The ensemble is celebrating its 35th anniversary this season, paying credit to its past and present, while looking ahead to the future. The Singers is especially proud of its emergence as a leading professional vocal ensemble performing a wide range of repertoire with a commitment to contemporary music, and its closing concert of this season demonstrated why the chorus is justifiably proud of its musical heritage. more