By Nancy Plum
The Christmas season and choral music are practically synonymous. To many audience members, the only choral concerts attended during the year are annual Messiah performances or carol sings. The Princeton area has always had many high-quality musical Christmas events to choose from, and one of the finest this year took place this past weekend. Chanticleer, a professional men’s vocal ensemble based in San Francisco, brought its special artistry to the Princeton University Chapel on Saturday night as part of the Princeton University Concerts series. The 12-member ensemble’s music director, Tim Keeler, was a 2011 graduate of Princeton, and the chorus has maintained a close association with the community. The nearly-full house in the Chapel on Saturday night was a tribute to both Chanticleer and the region’s appreciation for choral music in the holiday season.
Saturday night’s concert featured more than 20 choral selections grouped in a variety of ways, including works on the same texts by composers of different eras sung in succession. Chanticleer opened the evening with a candlelight procession singing four settings of a ninth-century Christian hymn of praise to the Virgin Mary. Beginning with the stark open chords of early 15th-century composer Guillaume Du Fay and leading to the complex melodic writing of Renaissance master Tomás Luis de Victoria, Chanticleer’s presentation of “Ave maris stella” traced the evolution of music history at the highest level of singing. With six counter-tenors, the upper voices carried well through the expansive Chapel space as the singers made their way down the long Chapel center aisle. As with most of the music within a given “set,” the works were sung one after another without pause, and before the audience knew it, 150 years of music history had passed, and the musicians were in position on the chancel steps. more
The epigraph comes by way of the first Arts page in Monday’s New York Times. At least once or twice every year, the Newspaper of Record throws out a line that hooks me. Picture a Dr. Seuss-style fisherman, perhaps the Cat in the Hat, dandling a brain-rot lure as a Dr. Seuss fish leaps out of the water, grinning idiotically while I’m thinking “This is not how I meant to begin a December 4 column on Franz Kafka; no, this is not what I meant to do, not at all, not at all.”
The day after I wrote an article on Elon Musk referencing his first and foremost “life lesson,” that “empathy is not an asset,” the New York Times came up with a front page that instantly connected with my post-election state of mind. Lead head: “Chop First and Fix Later: How Musk Tames Costs.” The story directly beneath: “Trump Stands by Defense Pick Who Denies Sex Assault Claim.” Directly under that: “Robots Still Lack Human Touch in Warehouses.” And just below came two smaller heads previewing stories in the Business section: “Social Media Veers Right” and “Spirit Files for Bankruptcy.”
