By Nancy Plum
Princeton Festival has arrived in the community, with recitals, lectures, and full concerts in a range of venues throughout town. Under the umbrella of Princeton Symphony Orchestra, the Festival has always included full operas in the performance schedule, and this past Friday night saw the opening of the first of the Festival’s two mainstage productions. Under a tented pavilion at Morven Museum & Garden, the Festival presented Gioachino Rossini’s farcical The Barber of Seville, recalling to the stage two singers who excelled last season and introducing new outstanding voices to Princet+on audiences.
Rossini’s 1816 Barber of Seville was part of an operatic tradition of composing for not much more than a handful of principal performers, with strong contrasting characters and complex and intricate ensemble numbers. Each of the singers in Princeton Festival’s production needed to be able to carry the stage and hold their own in duets and trios which could fall apart with one slip-up. Led by Princeton Symphony Orchestra Music Director Rossen Milanov and presented in Italian with English titles, this Barber of Seville was musically precise and clearly focused on physical comedy as well as top-notch singing. more