January 8, 2025

“MONIZA”: This painting by Mari Keeler Cornwell is featured in “Unwavering Grace,” on view January 18 through February 15 in the Considine Gallery at Stuart Country Day School of the Sacred Heart. An opening reception is on January 18 from 2:30 to 4 p.m.

Stuart Country Day School of the Sacred Heart, the all-girls independent day school for PS-12 at 1200 Stuart Road, has announced its upcoming winter gallery exhibition, “Unwavering Grace,” featuring the work of artist and Stuart alumna Mari Keeler Cornwell ’96. The exhibit will showcase Cornwell’s evocative acrylic paintings that celebrate the strength, resilience, and unique stories of women from diverse backgrounds.

“Mari’s show exemplifies Stuart’s commitment to fostering creativity and empowering voices through art,” said Andres Duque, gallery director. “Her work not only highlights her artistic mastery, but also reflects the powerful influence of the women who have inspired her life and career.”

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Artworks Trenton has announced an upcoming exhibition, “Clifford Ward: I’ll Make Me a World, prologue.” It will run February 1 through April 12, with an opening reception on February 1 from 6 to 9 p.m., offering visitors a unique opportunity to experience Ward’s artwork.

The exhibition brings together selected works from multiple series of works by Ward, celebrating the intersection of his artistic journey with the imaginative and forward-looking spirit of Afrofuturism. Curated by Addison Vincent, artistic director of Artworks Trenton, this exhibition represents a unique collaboration between Artworks Trenton and Grounds For Sculpture (GFS), located in Hamilton. The Artworks Trenton exhibition is a first look at select pieces to be featured in GFS’ upcoming exhibition, “Clifford Ward: I’ll Make Me a World.” The exhibition at GFS is guest curated by Noah Smalls and will be on view in its Museum Building from May 18 to January 11, 2026. Expanding on the Artworks Trenton exhibition, GFS will display Ward’s work in a larger context, revealing the complete narrative and the interconnectedness of his greater oeuvre. more

The Princeton Public Library is is seeking submissions of art of all types for “Our Natural World in 8×8: An Art and Poetry Exhibition.”

Artwork of any type, inspired by an original poem or one that is in the public domain, may be submitted through March 1. Entries should be 8-by-8 inches in dimension or be able to stand on an 8-by-8-inch surface.

Selected works from three age categories, adults included, will be displayed in the Main Lobby April 1-21 to coincide with the Princeton Environmental Film Festival and Earth Day.

All types of art are welcome including painting, drawing, sketching, sculpture, mosaic, and collage. The use of recycled or repurposed, environmentally friendly materials is strongly recommended.
For additional details and an entry form, visit princetonlibrary.org/PEFF.

“DUAL NATURE”: Beatrice Bork’s “Winter Nap” and Joe Kazimierczyk’s “Whispering Sky” will be on view January 19 to February 28 at the Tulpehaking Nature Center in Hamilton. An opening reception is on January 26 from 2:30 to 4 p.m.

Tulpehaking Nature Center at Abbott Marshlands invites art enthusiasts and nature lovers alike to “Dual Nature,” an art exhibition that explores nature from two distinct perspectives. Featuring the work of animal artist Beatrice Bork and landscape artist Joe Kazimierczyk, “Dual Nature” will be on view January 19 through February 28.

In “Dual Nature,” both artists reveal their unique approaches to capturing the natural world, bringing together Bork’s watercolor wildlife portraits and Kazimierczyk’s oil landscapes. Bork, known for her expertise in capturing the spirit and beauty of animals, relies on firsthand observation in the field to inspire her works, creating narratives that invite viewers into the intimate lives of her subjects. Her meticulous watercolors highlight the essence of the animals she observes, blending detailed renderings with expressive backgrounds that evoke a sense of the spiritual and poetic, seamlessly merging precision with artistic sensitivity.  more

January 1, 2025

By Stuart Mitchner

I am forced to the appalling conclusion that I would have never become a writer but for Joan’s death…

—William S. Burroughs

A book of great beauty and maniacally exquisite insight with a wild and deadly humor

—Norman Mailer on The Naked Lunch

Joan Adams Vollmer. (Wikipedia)

Dreaming of another fantastical New Year’s Eve party like the Harpo Marx/Charlie Parker/Times Square centenary blast I arranged for 1911/2011, I checked celebrity births for 1924 on the Notable Names Database (NNDB: “Tracking the Entire World”), and found a star-studded cast headed by Marlon Brando, Lauren Bacall, and James Baldwin, with supporting players like presidents George H.W. Bush and Jimmy Carter sharing a table next to one occupied by country singers Chet Akins and Slim Whitman. For comic relief, you’ve got Brando’s buddy for life Wally Cox (Mr. Peepers), Carroll O’Connor’s Archie Bunker (All in  the Family), Dr. Strangelove’s Terry Southern, and Twilight Zone’s Rod Serling, not to mention Bill Dana (“My name José Jiménez”) and Don Knotts (“Are you nervous?”) from the Steve Allen Show, plus Norm Alden, the coach who drowned in a bowl of chicken noodle soup on Mary Hartman, Mary Hartman.

Okay, let’s set this year’s party at Birdland just up Broadway from the Royal Roost, site of the 2011 celebration. Among jazz stars born in ‘24, there’s alto saxophonist Paul Desmond (runner up to Charlie Parker in the 1954 Downbeat poll), trombonist J.J. Johnson, pianist Bud Powell, drummer Max Roach, trumpeter and arranger Shorty Rogers, and tenor man Sonny Stitt, plus songs by Dinah Washington, the Divine Sarah Vaughan, and Doris Day, who got her start singing with Les Brown’s Band of Renown. At the ringside table with Brando and Cox are  Marlon’s co-stars Katy Jurado (One-Eyed Jacks) and Eva Marie Saint (On the Waterfront). Fresh from Paris and Rome, respectively, Charles Aznavour (Shoot the Piano Player) and Marcello Mastroianni (La Dolce Vita) are being interviewed by Truman (In Cold Blood) Capote, who is covering the Farewell ‘54 celebration for The New Yorker.  more

By Nancy Plum

New Jersey Symphony closed out the first half of its 2024-25 Princeton series the week before Christmas with an enduring holiday favorite. George Frideric Handel’s oratorio Messiah is always a crowd-pleaser at this time of year, and the Symphony’s performance this season was an especially unique musical experience. Preparing a work of this scope every year under a different conductor keeps the Symphony players on their toes, with each director reimagining the music to their own taste and scholarly background. Guest conductor Jeannette Sorrell, who led a Friday night presentation in Richardson Auditorium (the concert was repeated the following night) brought Baroque-era expertise, creative musical thinking and her own harpsichord skills to lead the Symphony musicians, four vocal soloists and chorus in a version which captured the audience’s attention. 

With close to 50 choruses, arias, and duets and a complete run time of three hours, Messiah has long been subject to excised numbers and abbreviated adaptations for the sake of audience appeal. Handel’s timeless work is a musical arc over three parts, telling the Christmas story and the narrative of the crucifixion and resurrection, together with affirmation of redemption. When conductors adjust the score, the arc and Handel’s overall message cannot help but be affected. Sorrell made most cuts in the second and third parts, while retaining arias which encapsulated the liturgical texts and showcasing popular choruses.  more

NAZI-ERA DISCOVERY: This photo from the New York Theatre Workshop’s production of “Here There Are Blueberries” shows one of several haunting moments from the play, which is coming to McCarter Theatre January 24-February 9. (Photography by Matthew Murphy)

The national tour of the play Here There Are Blueberries, a co-production with La Jolla Playhouse, comes to McCarter Theatre January 24-February 9. A Pulitzer Prize finalist for 2024, the play is by Moises Kaufman and Amanda Gronich.

The play is focused on a mysterious album featuring Nazi-era photographs that arrive at the desk of a U.S. Holocaust Memorial Museum archivist in 2007. As curators unraveled the shocking truth behind the images, the album soon made headlines and set off a debate that reverberated far beyond the museum walls. more

VIRTUOSIC FIDDLING: Violinist and fiddler Mari Black comes to Christ Congregation Church on January 17 at 8 p.m. (Photo by Glenn Black)

On Friday, January 17 at 8 p.m., the Princeton Folk Music Society presents an evening of virtuosic violin music with multistyle violinist and champion fiddler Mari Black. The concert is at Christ Congregation Church, 50 Walnut Lane.

Black is known as a master of diverse musical styles and winner of several major international competitions, playing global dance music: Celtic, American, and Canadian fiddling; jazz, tango, and klezmer tunes; original works; and more. A guitarist and a bass player round out Black’s trio. more

Judy Torres

State Theatre New Jersey and Fever Records present “Freestyle Flashback 2025,” featuring freestyle artists from the ’80s and’90s, on Saturday, January 18 at 8 p.m. Tickets range from $39-$99.

This concert event features dance-pop and freestyle artists including  TKA (“Maria,” “Come Baby Come”), George LaMond (“Bad of the Heart, “Look Into My Eyes”) Judy Torres (“No Reason To Cry,” “Come Into My Arms”), Noel (“Silent Morning”), Cynthia (“Change On Me,” “Dreamboy Dreamgirl”), Betty D Of Sweet Sensation (“Hooked On You,” “Love Child”), Lisette Melendez (“Together Forever,” “A Day in My Life”), Soave (“Crying Over You”), C-Bank (“One More Shot,” “I Won’t Stop Loving You”), and Joe Zangie (“When I Want You Back”).

Freestyle Flashback is hosted by Sal Abbatiello from Fever Records and Speedy with music by DJ Whiteboy KYS.

State Theatre New Jersey is at 15 Livingston Avenue in New Brunswick. For tickets, more information, or group discounts, call at 732-246-SHOW (7469) or visit online STNJ.org.

With performances of The Nutcracker finished for the season, American Repertory Ballet will next focus on Spirit of the Highlands, a ballet by artistic director Ethan Stiefel set for performances at New Brunswick Performing Arts Center March 7-9.

Based on the classic La Sylphide, the ballet reimagines the tale of a Scotsman’s romantic pursuit of a mystical forest spirit. According to information from the company, “Steifel traces his mother’s family roots back to the Scottish Highland Clan Munro, and will infuse his own authentic Scottish heritage into the choreography and overall design aesthetics of this lively and bewitching ballet.”

Stiefel will partner once again with scenic designer Howard C. Jones, costume designer Janessa Cornell Unwin, and lighting designer Joseph Walls. more

“HANGRY HIPPO”: This work by Judith Marchand is part of “Trio,” on view January 2 through March 3 at the Green Building Center in Lambertville. An opening reception is on January 4 from 5 to 8 p.m.

The “Trio” art show will open with a reception on Saturday, January 4 from 5 to 8 p.m. at the Green Building Center at 67 Bridge Street, Lambertville. Visitors can enjoy two floors of artwork by Modern Fossils (Judith Marchand and David Horowitz), David Horowitz Studio, and Mike Mann’s Art. Light refreshments will be served.

The artists said they are happy to exhibit their art in a gallery space provided by an organization that shares their love for our Earth. Marchand and Horowitz both create their work with salvaged materials. Mann’s paintings reflect the beauty of the region, and he travels by bicycle to paint whenever possible. The artists will donate and plant a native tree for every piece sold at their show.  more

“AUTUMN GLORY”: This work by Valerie Chaucer Levine is featured in the “Annual Juried Photography Exhibition” on view January 11 through February 2 at Gallery 14 Fine Art Photography in Hopewell.

Gallery 14 Fine Art Photography presents its “Annual Juried Photography Exhibition” January 11 through February 2. An awards ceremony and meet the artists reception with light refreshments are on Saturday, January 11 from 1 to 3 p.m.

There were 33 artists accepted into this exhibition with 50 images to be displayed in the gallery.

Gallery 14  Fine Art Photography is a co-op gallery located at 14 Mercer Street in Hopewell. It is dedicated to the promotion of photography as a fine art form. Its members work in all photographic styles.

Gallery hours are Saturday and Sunday from 11 a.m. to 4 p.m. or by appointment. To make an appointment, email galleryfourteen@yahoo.com. For more information, visit gallery14.org.

“THE FLOWER SHOW”: Turned wood botanicals by Bucks County artist Mark Sfirri  are featured in an exhibition at the Michener Museum in Doylestown, Pa., through May 4.

Bucks County artist and woodworker Mark Sfirri’s first solo exhibition at the Michener Art Museum in Doylestown, Pa.,  displays an all-new springtime series, resulting from a two-year obsession with turned wood flowers. This garden of botanical creations is on view through May 4.

The concept for “Mark Sfirri: The Flower Show” emerged when the artist learned that his son’s wedding venue, the Museum for Art in Wood in Philadelphia, did not allow cut flowers at events in order to protect its collection from potential bugs, pests, and pollen. Sfirri decided to make the wedding flowers himself, creating a bouquet for the bride and a boutonniere for the groom. The preoccupation continued for years as he incorporated different exotic woods, painted elements, and produced more elaborate compositions. more

December 25, 2024

By Stuart Mitchner

One of my most vivid memories is of coming back West from prep school and later from college at Christmas time.

—F. Scott Fitzgerald

My preferred Santa of the moment is the one trudging up the Union Square subway stairs on the cover of the December 16 New Yorker, a heavy red bag slung over his shoulder, one hand on the railing, snow falling. I like the noirish urban darkness of Eric Drooker’s image, the way the Con Ed building is framed, the fading portrait of a beloved city against a blank sky. I also like the touch of mortal menace. Will Santa make it to his next stop before he’s mugged or run down by a drunken driver?

The Poetry of Gatsby

The epigraph I’ve used here comes from F. Scott Fitzgerald and may sound routinely autobiographical, but is actually crucial to The Great Gatsby, which will celebrate its centenary next year. Nick Carraway’s line about coming home from college at Christmas sets the stage for the concluding reference to Gatsby’s dream, “which must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.” That’s where the poem that is The Great Gatsby truly ends; the two short paragraphs that follow, about the “orgastic future” and “boats against the current,” are prosaic and workmanlike by comparison.  more

By Nancy Plum

Princeton Pro Musica pulled out all the stops recently for a performance of international music for the season, much of which was arranged by the ensemble’s Artistic Director Ryan J. Brandau. The concert on December 15 attended by a festive full house at Richardson Auditorium brought together chorus, orchestra, and two vocal soloists for an eclectic afternoon of music spanning the globe, multiple centuries, and languages.

Brandau has established a deserved reputation as an arranger and orchestrator, and a significant part of Pro Musica’s program showed off his talents. “Mash-ups” of two or more musical numbers put together are popular in the choral world, and Brandau included several of his own in the performance. The concert opened with a combination piece of “O Come Emmanuel” and “God Rest Ye Merry, Gentlemen,” as set by Brandau. With supertitles and Pro Musica’s trademark precise diction, Brandau’s composition moved seamlessly between the medieval chant and the 17th-century English carol. Introduced by solo cellist Melissa Meell and delicately accompanied by harpist André Tarantiles, the two selections well demonstrated Pro Musica’s blended choral sound. more

DANCE, SONGS, AND MORE: Step Afrika! Brings traditional dances, music, and audience participation to State Theatre New Jersey on January 17. (Photo by Sandi Horvat)

State Theatre New Jersey presents Step Afrika! on Friday, January 17 at 7:30 p.m. The production blends percussive dance styles, traditional African dances, stepping, and contemporary dance and art forms. Much more than a dance show, Step Afrika! also integrates songs, storytelling, humor, and audience participation. Tickets range from $29-$99.

Founded in 1994 by C. Brian Williams, Step Afrika! is the world’s leading authority on the artform of stepping. Under Williams’ leadership, stepping has evolved into one of America’s cultural exports, touring more than 60 countries across the globe and ranking as one of the top 10 African American Dance Companies in the U.S.  more

Kate Douglas
(Photo by Stephanie Crousillat)

Princeton University’s High Meadows Environmental Institute, Lewis Center for the Arts, and The Civilians, a New York City-based theater company, have announced the 2024-25 artists of their collaborative initiative, The Next Forever, Kate Douglas and Kate Tarker. The Next Forever is a partnership that seeks to create new stories for a changing planet, exploring how dynamic storytelling can engage vital environmental subjects and provide the vision and inspiration society needs to navigate the challenges of our planet’s future — the “next forever.”

The two artists will spend time on the Princeton University campus as guest artists, engage with faculty and students across disciplines, and participate in an ongoing series of public events and performances over the course of a year-long residency and two-year commissioning agreement. They join last year’s inaugural artists Kareem Fahmy and AriDy Nox, who are continuing to develop the works they began during their residencies last year.

Douglas is a writer, performer, and composer. Her recent work includes The Apiary, nominated for an Outer Critics Circle Award; Tulipa through New York Stage and Film; and hag with co-writer Grace McLean through The New Group. She has been awarded residencies at SPACE on Ryder Farm, Swale House on Governors Island, Rhinebeck Writers Retreat, Millay Arts, and Goodspeed Musicals, among others. Her upcoming projects include Centuries starring opposite her co-writers Matthew Dean Marsh and Raina Sokolov-Gonzalez at Ancram Center for the Arts. She holds a certificate in sustainable garden design from New York Botanical Garden. more

The Stoutsburg Sourland African American Museum (SSAAM) will ring in the new year with “Lord, Write My Name – The Gospel and African American Experience in Spirituals,” featuring baritone Keith Spencer and award-winning composer/pianist Peter Hilliard.

This concert at the Unitarian Universalist Church in Titusville at Washington Crossing on Saturday, January 18 at 3 p.m. will weave together iconic African American spirituals and powerful narratives, poetry, and letters written by enslaved and free Black historical figures

SSAAM is Central New Jersey’s only museum telling the rich local and regional stories of African Americans from the time of the transatlantic slave trade to the present day. With the support of the Preserving Black Churches grant from the National Trust for Historic Preservation, the organization is honored to continue this important work with its first special event of 2025.   more

On Saturday-Monday, January 11-13, from 10 a.m. to 10 p.m. on the Princeton University campus, Princeton University Concerts (PUC) presents an opportunity for audiences to continue getting to know Felix Mendelssohn’s music in a unique way with a new “Future Presence” program in virtual reality and spatial sound developed by Mahler Chamber Orchestra (MCO).

This interactive experience brings participants on a journey through several selections from Mendelssohn’s A Midsummer Night’s Dream, Op. 61, including the famous “Wedding March.”

“Last year, the North American premiere of this novel experience was wildly popular and elicited such unexpectedly emotional reactions,” said PUC Director Marna Seltzer. “Of course this is not a replacement for live concertgoing; rather it is an entirely new and exciting way to experience music in an interactive, immediate, immersive, and truly beautiful way. I am excited for this season’s version to take participants through musically narrative excerpts of Felix Mendelssohn’s A Midsummer Night’s Dream. The theatrical nature of this score is thrilling to experience in this new medium.” more

“GLAD, HAPPY MEETINGS”: Paintings by Kathleen Maguire Morolda will be featured at the Gourgaud Gallery in Cranbury January 4 through January 26.

Gourgaud Gallery in Cranbury will present a collection of artwork by board member and local professional artist Kathleen Maguire Morolda January 4 through January 26.

Color is the key to Maguire Morolda’s paintings. Inspired by the natural beauty of the environment, she draws most of her creative energies from the natural beauty of her home state of New Jersey. Maguire Morolda awakens the imagination of the observer through the creative manner in which she blends shape and color.  more

“BELL’S WOODLANDS”: This work by Jean Burdick is featured in “Art and Nature,” on view at the Trenton Free Public Library January 11 through March 8. An opening reception is on January 11 from 5 to 7 p.m.

The Trenton Artists Workshop Association (TAWA) and the Trenton Free Public Library will present the exhibition “Art and Nature” at the Trenton Free Public Library from January 11 through March 8. This a continuation of the art series that showcases the talent of area artists that is slated to continue as an ongoing series. An opening reception is set for Saturday, January 11, from 5 to 7 p.m.

Artists featured in the exhibition include Jena Burdick, Mary Allessio Leck, and Bonnie Christina Randall. more

December 18, 2024

MUSIC WITH A MISSION: From left: Spoorthy Gundra, Eshani Banerjee, Eric Sigalov, and Aleena Zhang will perform to raise funds for victims of devastating hurricanes at their concert at the Presbyterian Church of Lawrenceville this Sunday, December 22 at 3 p.m.

By Anne Levin

For the four high school juniors who make up the Del Forzza Chamber Music Society, helping others is as important as making music together.

This quartet, made up of two flutists and two saxophone players, will perform at the Presbyterian Church of Lawrenceville on Sunday, December 22 at 3 p.m. Their goal is to raise funds to aid the victims of Hurricane Helene, which caused catastrophic damage in North Carolina last September; and Hurricane Milton, the destructive tropical cyclone that hit Florida a month later. Also on their list are the wildfires that devastated Lahaina, Hawaii, in August 2023. more

By Stuart Mitchner

One half of the world cannot understand the pleasures of the other.

—Jane Austen (1775-1817), from Emma

According to A Book of Days for the Literary Year, the week of December 15 begins with the publication of Emma, a day before Jane Austen’s 40th birthday in 1815. Emma Woodhouse’s comment about a divided understanding of the world’s pleasures, spoken soon after she herself disastrously misunderstands a courtship charade, has me thinking about Authors, the card game that my parents and I played when I was a boy. The fact that Jane Austen had been overlooked by the creators of the game (the only female being Louisa May Alcott) naturally didn’t occur to me, although when my wife and I played Authors with our son decades later, her absence was front and center. How could they leave her out, a question that had serious resonance on the Christmas morning I gave my wife illustrated editions of Persuasion and Mansfield Park.  more

“A CHRISTMAS CAROL”: Performances are underway for “A Christmas Carol.” Adapted and directed by Lauren Keating, the play with music runs through December 29 at McCarter’s Matthews Theatre. Above, from left: A surprised Margaret (Vivia Font) and Bob Cratchit (Kenneth De Abrew) watch as Tiny Tim (Caryna Desai Shah) receives a significant gift from Ebenezer Scrooge (Joel McKinnon Miller). (Photo by T. Charles Erickson)

By Donald H. Sanborn III

McCarter Theatre’s annual presentation of A Christmas Carol has returned to delight Princeton audiences. Working from her adaptation of Dickens’ 1843 novella, Lauren Keating again directs (assisted by Jaimee Harmon-Taboni), guiding a uniformly talented cast and creative team through a production that artfully juxtaposes the story’s darkest themes against festive caroling and dances.

Community involvement in the show — exemplified by the opportunity to participate in the youth ensemble — has long been an integral part of McCarter’s adaptations of the story. Keating extends this to her staging; as the show opens, carolers dance down the aisles as they sing to the audience. Immediately, we are part of the action.  more

NUTCRACKER MEMORIES: Snowflakes in George Balanchine’s “The Nutcracker, 1954. (Photo by Frederick Melton. Jerome Robbins Dance Division, The New York Public Library for the Performing Arts.)

“Winter Wonderland: George Balanchine’s The Nutcracker” is the title of an exhibition currently on view via the New York Public Library for the Performing Arts’ website, nypl.org. The show, which is online only, tells the story of the 70-year-old holiday classic choreographed for the New York City Ballet by George Balanchine.

While The Nutcracker is today an annual event performed by ballet companies across the globe, it was not an immediate success when Balanchine debuted his version in 1954. But when a televised and narrated version brought the work into people’s homes across America in 1958, a classic was born. more