
“CARRIE”: Theatre Intime and the Princeton University Players have staged “Carrie.” Directed by Chloe Webster; and music directed by Jenia Marquez, the musical was presented February 27-March 1 at the Hamilton Murray Theater. Above: Carrie (Christie Davis, center right), who is used to being an outsider, enjoys attending her prom with Tommy (David Getz, center left) — unaware that she is about to be the victim of a cruel prank (as evidenced by the bucket above her head) and humiliated in front of her onlooking classmates. (Photo by Elena Milliken)
By Donald H. Sanborn III
Stephen King’s novel Carrie (1974) portrays Carrie White, a bullied high school senior who is secluded and abused by her religiously overzealous, puritanical mother. Carrie discovers that she has telekinetic powers, with which she exacts vengeance on her classmates (and others) when she is humiliated by a cruel prank at her prom.
The plot is a dark and bitter inversion of the Cinderella story, with the archetypes easy to spot. Carrie obviously is a variation on Cinderella. Margaret, her mother, becomes the wicked stepmother, and the taunting classmates are the stepsisters. A sympathetic gym teacher becomes the fairy godmother, while another student, Tommy, reluctantly fills the role of the prince (despite being in love with Sue, another classmate).
Carrie was adapted into a 1976 film, with a screenplay by Lawrence D. Cohen. Subsequently the novel and film were adapted into a musical, for which Cohen wrote the libretto. Dean Pitchford (the screenwriter of Footloose, and the co-writer of several songs for Fame) wrote the lyrics, with Michael Gore (Pitchford’s Fame collaborator) composing the music.
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