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Among the fundamental elements critical to the enjoyment of a romantic comedy are: an engaging plot, authentic chemistry between the romantic pair, and enough laughs to make you forget that its all leading to a predictable happily ever after resolution. Theres none of the above in Going the Distance, a mirthless indulgence in narcissism which fails to deliver any of the above basics of the genre.
The movie marks the first foray into drama by director Nanette Burstein, whose remarkable directorial debut On the Ropes, earned her an Oscar nomination in the Best Documentary category in 2000. Unfortunately, this film, co-starring Drew Barrymore and Justin Long, is exactly the opposite of exceptional.
The story revolves around the long distance relationship between Erin (Barrymore), a Stanford graduate student majoring in journalism, and Garrett (Long), a New York City talent scout disenchanted with the record company he works for, which only allows him to sign mediocre bands that have commercial potential. Erin, whos interning at a prestigious newspaper in Manhattan, meets Garret at a trendy singles bar. Their instantaneous mutual attraction leads to a passionate fling that continues over the summer.
However, despite a parting exchange of promises at the airport to remain faithful to each other, trouble develops soon after Erin returns to California to complete her degree. After awhile the phone conversations arent enough, and neither of them can afford to fly across the country on weekends. Worse, Garrett becomes irrationally jealous of Erins platonic friend, (Oliver Jackson-Cohen), while she worries about what he might be up to when he is hanging out with his bawdy bachelor buddies (Jason Sudeikis and Charlie Day).
The most frustrating conundrum facing the lovebirds is whether either one of them will put the others needs first in order to be able live together in the same city. Career oriented Erin will only move back to the Big Apple if she lands a full time job, and he isnt inclined to quit his job just to be with her either. While such selfish attitudes might reflect the practical reality of mating habits in the 21st century, the behavior of both of them is such that they render themselves totally unsympathetic.
The only reason to root for a reunion at the end of the movie is because these two unsympathetic characters deserve each other.
Fair (1 star). Rated R for sexuality, profanity, crude humor, drug use, and brief nudity. Running time: 97 Minutes. Studio: New Line Cinema.
For more movie summaries, see Kams Kapsules.